Thursday, August 14, 2008

The Ape (1940)



Dr. Bernard Adrian is a kindly mad scientist who seeks to cure a young woman's polio. He needs spinal fluid from a human to complete the formula for his experimental serum. Meanwhile, a vicious circus ape has broken out of its cage, and is terrorizing towns people.

suspiria (1977)




A young American dancer travels to Europe to join a famous ballet school. As she arrives, the camera turns to another young woman, who appears to be fleeing from the school. She returns to her apartment where she is gruesomely murdered by a hideous creature. Meanwhile, the young American is trying to settle in at the ballet school, but hears strange noises and is troubled by bizarre occurrences. She eventually discovers that the school is merely a front for a much more sinister organization.



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Crypt of the Living Dead (1973)




When Professor Bolton [Mariano Garcia], an archeologist doing research on Vampire Island (somewhere between Africa and India), is killed, his son Chris [Andrew Prine] comes to the island to bury his father, something not easily done since the professor's body is pinned under several tons of tomb. The tomb belongs to Hannah, fiance of King Louis VII. Legend has it that Hannah became a vampire and that Louis sealed her alive in the tomb such that, should the tomb ever be opened before the return of Christ, Hannah would rise again. Chris is met at the dock by Peter [Mark Damon], a grad student doing research on the Crusades, which is also what brought Louis and Hannah to Vampire Island in the first place. Peter, along with his sister Mary [Patty Sheppard], has been living on the island, and Peter seems to be the only inhabitant not fettered by the vampire superstition. However, Peter is actually the one responsible for the professor's death, arranged as a ploy to get Chris Bolton to the island so that the heavy tomb could be moved and Hannah released.

Together, Chris and Peter rig up a hoist to lift the tomb off the body of the professor. In doing so, the first thing they lift is the lid, which reveals Hannah's body, as fresh and beautiful as if she were alive. Probably a vaccuum, explains Peter, or a lost embalming technique. With the heavy lid moved, they halt lifting the rest of the tomb until the next morning. That night, Hannah [Teresa Gimpera] leaves the tomb in the form of a shewolf and preys on the dog of Abdul Hamid [Frank Branya], an old blind sailor. Abdul warns that Hannah's tomb must be resealed before she grows too powerful and begins to prey on humans. In the meantime, Abdul suggests surrounding the tomb with a wreath of garlic and dogbane to keep Hannah from leaving. The next day, Abdul and Adnan [Jack La Rue Jr], a young boy from the village, prepare a stake, which Abdul intends to drive through Hannah's heart. Before he can do the deed, however, Abdul and Adnan are both murdered by the Wild Man [Ihsan Gedik]. At the same time, Chris finds that the rope holding the lid off the tomb has been cut, resealing the tomb with only Hannah's head in view, effectively making it impossible to drive a stake through her heart.

With the deaths of Abdul and Adnan, the villagers refuse to help Chris anymore, so Chris goes back to the tomb alone. Hannah works on his mind until Chris ends up removing the garlic and dogbane. Hannah is now free to leave her tomb. When Chris regains his senses and sees that Hannah is gone, he rounds up the villagers to find her. While they search, Mary goes looking for Chris but instead finds her brother chanting Latin over Hannah's empty tomb. Chris, looking for Mary, also stumbles upon Peter's invocations for immortality. They fight, and Chris runs off with Mary just as Hannah arrives and drinks Peter's blood. The villagers catch up with Peter and Hannah just in time to drive a stake through Peter, but Hannah turns to mist and disappears. She shows up in the graveyard where Chris is taunting her to come and get him. She subdues Chris, and just as she is about to take his blood, Mary tosses the wreath of garlic and dogbane onto Hannah's back, causing her to turn into the shewolf and run away. Chris pursues, but Hannah finds him first. To protect himself, Chris tosses his lantern at her. Hannah catches fire, falls off the cliff, and Chris and the villagers finish her off. The next day they seal the tomb, and Chris and Mary leave the island together.

Epilogue: Young Arda calls on little Zora to come out and play, but Zora doesn't want to come out in the sun, so Arda goes inside.



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Lady Frankenstein (1971)



When Dr. Frankenstein is killed by a monster he created, his daughter and his lab assistant Marshall continue his experiments. The two fall in love and attempt to transplant Marshall's brain in to the muscular body of a retarded servant Stephen, in order to prolong the aging Marshall's life. Meanwhile, the first monster seeks revenge on the grave robbers who sold the body parts used in its creation to Dr. Frankenstein. Soon it comes after Marshall and the doctor's daughter.



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Battle of the Worlds (1961)



Men & women in rocket ships near Mars gasp "Inverting... course... 180... degrees..." in high-gee maneuvers. Meanwhile, the offbeat scientist (Claude Rains) shouts at the labcoats who have invaded his greenhouse (where he spends his time tending flowers and scribbling math in chalk on the pots): "Back you madmen! I have one advantage over all of you! Calculus!" Sine waves and music are eventually used to talk to "the outsider."



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First Spaceship on Venus (1960)



In 1970, debris from the 1908 Tunguska "meteor" are found which turn out to be recordings from a spaceship crashed there. The ship's origin is determined to be Venus, and an international team sets out with their spaceship "Kosmokrator" to visit the "Silent Planet", which is shrouded in clouds, and doesn't respond to contact attempts. While the "Kosmokrator" is in flight, the record is decoded and it turns out that the Venusians seemingly planned to invade Earth in 1908. Should the "Kosmokrator" still attempt to get in touch with the Aliens? And why are they silent now?



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The Lost Continent (1968)




This film starts out like the Love Boat on acid, as a cast of unpleasant characters, all with horrible secrets, take a chartered cargo ship to escape their troubles. Unfortunately, the leaky ship is carrying an explosive that can be set off by sea water and it sinks, stranding many characters in a Sargasso Sea populated by man-eating seaweed, giant monster crabs and turtles, and some Spanish conquistadors who think the Inquisition is still on.



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