Slave of the Cannibal God (1978)

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Of all the infamous Italian cannibal movies of the seventies and early eighties, this is the most tedious. They all include pointless depicting of animals killing animals - and people killing animals.

Of course, they also include people killing people, but whereas this, of course, is fake, the animal killings are for real. Not that nature's not cruel, but what's the point in including suffering monkeys, iguanas, snakes and turtles in the movies?

Most of the time, these scenes seem staged, and in this movie, it's very clear a monkey was thrown before a hungry boa, and there was probably even a rope tied to it, while throwing! At 23:31 into the uncut DVD, you can see that a very clear and sharp, green branch is added onto the film in the left of the frame afterwards, in order to cover something up.

If it isn't a rope, it's probably the arm of the one throwing the poor monkey to its certain death. The following scene, where the producers show close-ups of the monkey's face, in all its anguish, is almost unbearable, and adds, of course, nothing to the story, except a bitter aftertaste.

The music (by de Angelis & de Angelis) is beautiful, and watching the then 41-year-old Ursula Andress in the nude, all tied up, are this movie's highlights.

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Torture Chamber of Dr. Sadism

Set in what appears to be 17th or 18th century Germany, Count Regula (Lee) is drawn and quartered for his offenses. 35 years later, his manservant Anatole, (ably portrayed by Carl Lange) initiates a rite to bring him back to life on Good Friday. The good Count requires the blood of 13 virgins for this to be achieved and, you guessed it, Dor as Baroness Lillian Von Brabandt is to be number 13. So the countess, and Barker as Roger Montelise, son of the judge who condemned the count many years before, are duped into visiting Regula's castle. One of the few scenes in the film which combines outstanding atmosphere with sold story line comes when Montelis and his party are being coached to the castle. A very frightening and disturbing ride it was through a forest of hanging bodies and detached limbs, giving some much needed credibility to a mostly mediocre offering. At the castle, the flow of the story breaks down. Several scripting mistakes are painfully obvious. Two examples: In one scene, Anatole is shot in the chest by Roger's man and we see a small amount of dark red blood before the bullet hole supernaturally closes. A few minutes later, Anatole cuts his wrist and green blood drips to Regula's coffin. In another, it is established that the `undead', Anatole and Regula, cannot bear the presence of a Christian cross in the same room with them. Yet instead of throwing it in his face and escaping, Dor meekly obeys Anatole's harsh command to remove it from his sight! But, in the end, the good guys win, vanquishing the risen to life Regula and the evil Anatole. They are taken away by the same coach they came in on and we are led to believe they lived happily ever after. Castle of . . . will be of interest to fans of European and/or obscure horror and the previously mentioned Lee cultists.

Dr. Tarr's Torture Dungeon (1973)

A mysterious man is sent deep into the forest to investigate the bizarre behavior of the notorious Dr. Tarr. What he stumbles upon is the doctor's torture dungeon, a hellish asylum completely cut off from civilization and presided over by the ultimate madman. Innocent people have been savagely chained, tortured and stuck in glass cages, then forced to take part in gruesome games of ritual slaughter.

Don't Look in the Basement (1973)

Nurse Charlotte Beale arrives at the isolated Stephens Sanitarium to work, only to learn that Dr. Stephens was murdered by one of the patients and his successor, Dr. Geraldine Masters, is not very eager to take on new staff. Charlotte finds her job maddeningly hard as the patients torment and harass her at every turn, and she soon learns why Dr. Masters is so eager to keep outsiders out.

The Deadly Mantis (1957)

he calving of an Arctic iceberg releases a giant praying mantis, trapped in suspended animation since prehistoric times. It first attacks military outposts to eat their occupants, then makes its way to the warmer latitudes of Washington and New York. A paleontologist works together with military units to try to kill it.

The Day of the Triffids (1962)

A shower of meteorites produces a glow that blinds anyone that looks at it. As it was such a beautiful sight, most people were watching, and as a consequence, 99% of the population go blind. In the original novel, this chaos results in the escape of some Triffids: experimental plants that are capable of moving themselves around and attacking people. In the film version, however, the Triffids are not experimental plants. Instead they are space aliens whose spores have arrived in an earlier meteor shower.

The Brain That Wouldn't Die (1962)

The unethical surgeon Dr. Bill Cortner (Herb Evers) is developing a technique of transplantation of organs and members using a serum against rejection. When he has a car accident with his girlfriend Jan Compton (Virginia Leith), he saves her head only, and tries to find a woman with a beautiful body to transplant Jan's head against her will.


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