Invasion of the Saucer Men (1957)

A teenage couple making out in the woods accidentally runs over an alien creature with their car. The creature's hand falls off, but it comes alive, and, with an eye growing out of it, begins to stalk the teens. Meanwhile, Joe the town drunk wants to store the body in his refrigerator, but some of the alien's buddies inject alcohol into his system, and Joe dies of an overdose.

It Came from Beneath the Sea (1955) colorized

After an encounter at sea with an unknown underwater creature, a naval commander works with two scientists to identify it. The creature they are dealing with is a giant, radioactive octopus that has left its normal feeding grounds in search of new sources of replenishment. As the creature attacks San Francisco, the Navy tries to trap it at the Golden Gate Bridge but it manages to enter the Bar area leading to a final confrontation with a submarine.

The Eldritch Influence: The Life, Vision, and Phenomenon of H.P. Lovecraft (2003)

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The Horror of Party Beach

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Radioactive waste dumped off the coastline creates mutant monsters. The beasts attack slumber parties, beaches, tourists, and terrorize a waterfront community as a scientist, his daughter, her boyfriend and the local police try to find a way to stop them


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The Creeping Terror

A creature that looks like a cross between a Chinese dragon puppet and the Pope sucks up people into its maw. A sheriff, his wife, and a "handsome" scientist battle it to the end, with a sub plot about the evils of bachelorhood.


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Wild Wild Planet

A deranged scientist is using his employer's top-secret bio-laboratory to engage in clandestine eugenics experiments. When he starts kidnapping leading citizens for use in his twisted tests, it's up to rogue cop Mike Halstead to come to the rescue of all and sundry, including his lady friend Connie, who is also being held captive by the madman


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The Magnetic Monster (1953)

Working for O.S.I., the Office of Scientific Investigation, A-Man agent Jeffrey Stewart and his partner Dan Forbes are sent to a local hardware store where they find a strong magnetic field has magnetized every metal item in the store. Investigating further, they eventually trace the source of the magnetism to an airborn flight carrying scientist Howard Denker, now dying of radiation poisoning, who has carted on board with him a new radioactive element which he has bombarded with alpha particles for 200 hours. The element, dubbed 'serranium' grows geometrically by creating matter out of energy which it absorbs from metallic objects surrounding it. Stewart calculates that if the substance is not destroyed soon that within 24 hours or so it will have grown large enough to throw Earth out of its orbit.


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Gog (1954)

Scientists working on induced hibernation for space travel are killed, apparently by machines acting independently. Security agent Sheppard arrives at the secret underground space research base to investigate possible sabotage. He finds that the whole base is coordinated by supercomputer NOVAC and its robots Gog and Magog; and a strange aircraft is detected high overhead.

Soylent green

In an overpopulated futuristic Earth, a New York police detective finds himself marked for murder by government agents when he gets too close to a bizarre state secret involving the origins of a revolutionary and needed new foodstuff

The Devils 1971

"Cardinal Richelieu and his power-hungry entourage seek to take control of seventeenth-century France, but need to destroy Father Grandier - the priest who runs the fortified town that prevents them from exerting total control. So they seek to destroy him by setting him up as a warlock in control of a devil-possessed nunnery, the mother superior of which is sexually obsessed by him. A mad witch-hunter is brought in to gather evidence against the priest, ready for the big trial."

Dracula--Louis Jourdan (1977)

Easily the best version of Dracula filmed to date, this BBC television production was originally presented as a three-part miniseries. This version hews fairly close to the original novel, including a fairly extended version of Harker's adventures at Dracula's castle, Lucy's sleepwalking in the cliffside graveyard at Whitby (apparently shot on location, with the famous long stone staircase of Whitby memorably showcased), and a final chase across the "Transylvanian" countryside.

Louis Jordan (of "Gigi" fame) seems an odd choice to play the Count, but proves to be surprisingly effective. Beneath his courtly Continental manners, he manages to imply a will of steel and an otherworldly coldness. Frank Finlay is also memorable as the comically eccentric Professor Van Helsing, whose habitual lightness of manner makes his occasional serious moments more impressive by contrast. (The BBC lost a great opportunity by never casting Finlay as Dr. Who.) The comely Susan Penhaligon vamps her way outrageously through her role as the flirtatious Lucy, and her interludes with the Count are some of the more torridly suggestive that have been filmed in a serious movie. When her vampire tendencies start to surface, once can sense a current of barely concealed mirth in Penhaligon's performance. The other performers are more perfectly in character, with Mark Burns showing a tortured gravity as Lucy's hopeless admirer Doctor Seward; Richard Barnes as Quincy has the comical Wild West accent ascribed to the character in the novel. The improbably named Bosco Hogan makes Jonathan Harker's vulnerability and desperation very real. Jack Shepherd is a memorably intense Renfield, a grotesque but surrealistically poetic and finally tragic figure. Finally, Judy Bowker as Mina Westenra/Harker overshadows the male leads, as she must, with her nobility in the face of her own creeping transformation.

The special effects in general are primitive by today's standards, but always interesting and atmospheric. The storm scene with a model ship bobbing about on slowly undulating black sheets seems to show great inventiveness in the face of a limited budget. Other psychedelic visual elements enhance the otherworldly character of the story. The treatment of the story as a metaphor for Victorian sexual repression is typical of more recent productions and may have served to influence the campy Bram Stoker's Dracula and Dracula: Pages from a Virgin's Diary. However, the usual modern device of tying Dracula to his historical namesake, is only briefly hinted at here by woodcuts of the Impaler's work in the opening credits.


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The Horror of Party Beach

While the hot rodders and motorcyclists are having a rock-and-roll beach party, a barrel of radioactive material is unloaded from a passing ship, plunges to the bottom and splits against a jagged rock. A black liquid oozes out and covers a shapeless mass on the ocean floor, which suddenly moves and becomes an encrusted vicious monster. Soon there are several monsters and they must have human blood to survive. Tina is the first victim, and football hero Hank Green and airhead Elaine Gavin enlist the aid of her science-professor father, Dr. Gavin, to solve and capture the killer. Not working fast enough to prevent the attack on twenty teen-agers at a slumber party nor the killing of three girl motorists, Dr. Gavin finds an arm lost by one of the monsters and discovers that only sodium will destroy the monsters whose composition is mostly water. Can they gather enough salt in southern California to put an end to this horror?


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Revenge of the Creature

The Creature from the Black Lagoon is back! This time he's captured by scientists and transported to an aquarium in south Florida. Naturally, he's attracted to the lovely female scientist and manages to escape and kidnap her, heading to Jacksonville, presumably to catch a Jaguars game.

The.Freakmaker.1974

Professor Nolter believes it's man's destiny to survive an uncertain future by evolving into a hybrid plant/human mutation. To test his theories, Nolter supervises the abduction of young co-eds and fuses them with mutant plants he's developed in his lab.

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Creature From The Black Lagoon 3-D 1954

"Red Blue 3-d Glasses needed"

Universal Pictures introduced audiences to yet another classic movie monster with this superbly crafted film, originally presented in 3-D. The story involves the members of a fossil-hunting expedition down a dark tributary of the mist-shrouded Amazon, where they enter the domain of a prehistoric, amphibious "Gill Man" -- possibly the last of a species of fanged, clawed humanoids who may have evolved entirely underwater. Tranquilized, captured, and brought aboard, the creature still manages to revive and escape -- slaughtering several members of the team -- and abducts their sole female member (Julie Adams), spiriting her off to his mist-shrouded lair. This sparks the surviving crewmen to action -- particularly those who fancy carrying the girl off themselves. Director Jack Arnold makes excellent use of the tropical location, employing heavy mists and eerie jungle noises to create an atmosphere of nearly constant menace. The film's most effective element is certainly the monster itself, with his pulsating gills and fearsome webbed talons. The creature was played on land by stuntman Ben Chapman and underwater by champion swimmer Ricou Browning -- who was forced to hold his breath during long takes because the suit did not allow room for scuba gear. The end result was certainly worth the effort, proven in the famous scene where the Gill Man swims effortlessly beneath his female quarry in an eerie ballet -- a scene echoed much later by Steven Spielberg in the opening of Jaws


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House Of Wax 3-D 1953

"Red Blue 3-d Glasses needed"

Hard encoded japanese subtitles... :( but excellent 3-D retro movie nontheless..
A sculptor of wax figures for a museum is horrified when his partner proposes setting fire to the unpopular museum in order to collect the insurance money. As the wax figures melt amid the blaze, the two men have a fight. The sculptor is knocked out in the scuffle and left to "perish" among the flames. He resurfaces many years later for the launch of his own wax museum. The opening coincides with the sudden disappearance of some dead bodies from the city morgue. His assistant begins to suspect his boss of foul play, especially after the deranged wizard of wax begins eyeing his assistant's lovely girlfriend's friend as a model for a waxed figure of Marie Antoinette(A must for the Charles Bronson fans !!!)

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It Came From Outer Space 3-D 1953

"Red Blue 3-d Glasses needed"

John Putnam is a writer and an amateur stargazer with a new home out in the beautiful Arizona desert, which he enjoys with Ellen Fields, his girlfriend and a local schoolteacher. John is not trusted by the people of the small town near where he lives, certainly not by Sheriff Matt Warren, who feels protective of Ellen,"I think he fancied her for himself". One night, John and Ellen see a meteor crash in the desert. John drags his friend, Pete, out of bed to take him over to the crash site in his helicopter. Once there, John climbs down into the crater. Unfortunately, he does so alone, as Pete and Ellen wait for him. John is the only one who sees the spaceship before a landslide covers it. And John is the only one who catches a glimpse of the hideous thing inside. At first John's story seems mad, until some of the townsfolk begin acting strange - as if they aren't really who they seem to be. NB:never climb into craters unsupervised....

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The Mask 1961 3-D

"Red Blue 3-d Glasses needed"

What makes this film stand out is the genuinely amazing hallucination sequences,an utterly surreal barrage of imagery, sometimes coming faster than a vindaloo the morning after: dozens of hands are seen reaching, grabbing from beneath a river; a flaming eye crashes from the sky and becomes a flame-throwing skull-headed beast; a giant skull floats above a strange temple, where a woman is reclining upon an altar. What can it all mean?...and who cares as long as its 3 f**k*n D

Not only is The Mask Canada's first horror film, it also happens to be Canada's only 3D film. All of the psychedelic mask sequences are arranged in 3D, to give the viewer the same experience Barnes is receiving from the mask. It is handled competently and is neither intrusive nor detracting.

(For the original theatrical release of this picture, the 3D glasses were attached to a wearable mask. Whenever one would hear the Voice in the film tell Barnes, "Put on the mask," the audience knew to do likewise with their own masks.)

Regardless of whether its hallucinations mean anything or not, this film offers a tripping experience. I can guarantee you've not seen anything like it.


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Cannibal Holocaust

A New York anthropologist named Professor Harold Monroe travels to the wild, inhospitable jungles of South America to find out what happened to a documentary film crew that disappeared two months before while filming a documentary about primitive cannibal tribes deep in the rain forest. With the help of two local guides, Professor Monroe encounters two tribes, the Yacumo and the Yanomamo. While under the hospitality of the latter tribe, he finds the remains of the crew and several reels of their undeveloped film. Upon returning to New York City, Professor Monroe views the film in detail, featuring the director Alan Yates, his girlfriend Faye Daniels, and cameramen Jack Anders and Mark Tomaso. After a few days of traveling, the film details how the crew staged all the footage for their documentary by terrorizing and torturing the natives. Despite Monroe's objections, the television studio Pan American still wishes to air the footage as a legitimate documentary. In order to change their minds, Monroe shows the station's executives the film's final reels, so they could see first hand how the crew's fate came to be.